Thursday, 9 July 2015

Orange Humble Band - Depressing Beauty (2015, Citadel) - A critique.

Spanning two continents, and boasting a lineup composed of former/ongoing mainstays from the Posies (Ken Stringfellow and Jon Auer), Big Star (Jody Stephens), The Lime Spiders and Someloves (Darryl Mather) and Mitch Easter among others, The Orange Humble Band is nothing short of a dream proposition, not only for the hipster indie pop cognoscenti, but for an average Joe like yours truly.  So how do you explain why this Memphis by-way-of Perth, Australia conglomerate doesn't always present itself as the logical sum of it's collected, not to mention storied parts?  Perhaps it's because the Humbles aren't trying to achieve that end, appealing as the mathematics of that formula could logically tally up to.

Depressing Beauty is their third album in literally as many decades.  To your surprise (and perhaps chagrin) this record won't rock as hard as the Posies, wield Rickenbackers as deftly as Easter's famed Let's Active, or bear even half the emotional tumult that Big Star trotted out so acutely back in their day.  Furthermore, it's a departure from OHB's riffy and hook-addled 1997 debut Assorted Creams, and it's more eclectic follow-up, Humblin' (Across America).  The common ailments of maturity that affect all of us aren't any more lenient on these fellas either, and it shows in spades on the hour-length Depressing Beauty, the collective's first LP since 2000's aforementioned Humblin.  In essence, this record is it's own tempered beast.  Nuanced, disciplined, and occasionally a little too subdued for it's own good.  As was the case with the two preceding OHB records, Ken Stringfellow serves prominently and capably as front-man, yet oddly enough Dwight Twilley figures in as one of the key songwriters - contributing little else to the actual recording than some backing vocals and guitars.  Darryl Mather is the dominant wordsmith however, providing text to a good 80% of Depressing...

The overarching easy-goes-it vibe of this record tacks more towards Burt Bacharach than say, Badfinger, but Stringfellow and his cohorts manage to flex a 'lil musculature on the opening "You Close Your Eyes," a tune you could string on a clothes line alongside some of Cheap Trick's more recent exploits.  Once this ditty passes, it's pure refinement and lucidity from thereon in.  There's a cavalcade of ballads rolling in and out like the tide on Depressing..., paramount among them "Sowannadoit," a blissful stab at '70s AM dial pop that hits the mark with polished aplomb.  Honorable mentions go to "Upon Cindy's Will" and "Conversations With Myself."  I should add that appropriately enough, many of the more delicate pieces here feature string arrangements.  When all is said and done, Depressing Beauty isn't particularly strident or brash, rather the product of a carefully measured and considered muse.

If you’re new to OHB you might also want to backtrack to Assorted Creams to really gauge the full extent of what these gentlemen have to offer.  Established fans should have no qualms about placing the Humble’s latest at the top of their "to-buy" list, and you can do just that by purchasing it from Citadel Records directly, or opt for the Amazon or iTunes route.

Original Content: Orange Humble Band - Depressing Beauty (2015, Citadel) - A critique.

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